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Fans are known to recreate this logo design at shows using hand signals, proving its worth and success in creating a brand for the band. Perfectly incorporating both the 'J' and the '5' to portray Jurassic 5, this is an epic hip-hop logo that allows the design to be featured on a range of records thanks to its circular design. Designed by band member Charlie "Chali 2na" Stewart, it's been produced in a wide range of colours for much of the band's merchandise and remains a strong contender as one of the best band logos.

He also produced the iconic Metal Box packaging for the band, which is still regarded as one of the best album artworks of all time.

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Situationist pranksters and acid house pioneers, the KLF also had a razor-sharp eye for iconography, which manifested itself in their record covers, their videos, their legendary Top of the Pops performances and, of course, their logos. Their pyramid blaster logo, perfectly shaped for vinyl, is a masterpiece; naturally, both Bill Drummond and Jimmy Cauty of the KLF now work as artists. Created by Turner Duckworth , the famous Metallica logo got a redesign back in Based on the band's original version from , Duckworth also designed the identity and packaging for the band's album Death Magnetic.

Like countless other metal bands, Metallica's own take on the metal aesthetic is something that their fans cherish; whether it be in the form of tattoos or scrawlings on school books.

As one half of the seismic drone-rock band Sunn O , not only does Stephen O'Malley help to make some fantastic music — he also oversees the design and art direction of their releases. The visual is an important component to Sunn's music and O'Malley has certainly triumphed with this long-standing, striking logo. It's easy to see why then, that his logo also evokes the sense of '80s movies; with it's retro-like font, it's the perfect accompaniment to his music. Another perfect example of a band logo that has proved popular with fan's tattoos, The Foo Fighters logo comprises of a circle motif containing two interlocking 'Fs' and the band's name in a slightly rounded and compact typeface.

This is among the most popular and instantly recognisable logos in rock music. The Ramones' logo was designed by New York City artist Arturo Vega, a longtime friend who lived with several members of the band. It's proof that when you get a band logo right, it can go on to become one of the most iconic brands in the world. This is a relatively new kid on the block, but boy, does it work. Bursting onto the music scene in with their self-titled debut album, the black and white 'X' across the front sleeve was just as eye-catching as the music was enticing.

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This latest variation of the logo was designed by band member Romy Madley Croft; a one-time art student who used oil imagery to create the affect within the letter. This band logo is a perfect example branding that will continue to work through each album release. This has to be one of the most iconic band logos of all time. Created for Black Flag by guitarist and chief songwriter Greg Ginn's brother Raymond Pettibon, he once stated in an interview that the black flag design was designed to represent anarchy.

The four black bars combined with the bold typography make for a solid band logo. Run DMC broke barriers in music, which almost everyone in music today benefits from. Their logo is still one of the most prolific to ever grace the music industry and continues to adorn the chests and feet of hip-hop lovers across the globe. The solid typography and three-part colour scheme makes it infinitely timeless.

Featuring the letters set inside a thick border, the black and white creation first appeared on the band's debut album Down in it, which was released in Evoking an extremely 'punky' look, the electronic duo produced one of the most well-known logos within the dance music scene. Designed by band member Guillaume Emmanuel "Guy-Manuel" de Homem-Christo, the logo ties in with the stand-out ethos of the pair.

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  6. Using bold colours and textures, Daft Punk's visuals are just as important as their tunes. Another hip-hop gem in our list, this logo for Public Enemy was designed by Chuck D back in It was tightened up ahead of the release of Yo! Many claim the target to be a state trooper but it is in fact a silhouette of a B-boy. It may not be as iconic as our other inclusions but we just had to feature this logo from British group The Streets.

    Evoking the exact feel and message of their debut album Original Pirate Material, the gritty typography effortlessly complements the lighter image. There's been a few variations throughout their career but we love this original design. How could we not include this infamous logo from the rock legends themselves, The Rolling Stones? Created by John Pasche in , the designer is said to have been influenced by Mick Jagger's appearance for the logo, stating that his lips were the first thing you noticed about him.

    The eye-popping offering has continued to work well for the band, who have been working in music for over 50 years. It was just so funny to see. To Jan, Michael was this guy who was kind of an idiot, but also represented this possibility for her white picket fence, which is why the dinner party is so resonant. Pre-Production A table read is a chance for actors to get familiar with the script and for the writers to see if the jokes work.

    Session Expiration

    Not a lot of laughs. Little by little, it just starts building, and I never experienced that before. The laughs kept getting bigger and bigger and bigger and bigger. I remember I was just sweating through my T-shirt. This is going to be a blast. Before any show gets on the air, the network has to give notes and sign off on the script. So the writers got called in to the office to hear the notes.

    Greg gets on the phone and the executives are on the other line, on speakerphone. It is. I maybe had to use up some chits to protect this episode, but I had a bunch of chits in the bank. Jan and Michael were never supposed to work out, so I think there is an element of relief and hope that they break up. Where do they sleep?

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    How many bedrooms is it? How is it decorated? How long is the dinner? He still tries to push through in spite of the fact that Jan is clearly on the edge and in spite of the fact that their relationship is crumbling. Oh, my God. They hate each other!

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    Her assistant wrote a song about her. This is just fabulous. I mean, we truly had one of the greatest brain trusts of comedy since probably, like, early [ National] Lampoon days. Then we picketed our [set] the second day, and then finally they shut it down, which was just terrible.

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    It was really devastating for a lot of people. And we all really respected him for that. The whole production had to shut down until the end of the strike, and I feel like we ended up losing something like six or seven episodes that year. It ended up being a episode season. They were our lifeblood, and we wanted them to get whatever they wanted.

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    Paul Feig director : I directed a few episodes every season. My favorite thing is to make an audience really uncomfortable and make them laugh at the same time. So I was super-bummed out. I just so completely saw it in my brain.

    You know, at a grocery store or something. We never knew that you could kind of transform a place like that. It was fun making it look the way that it would look when he was buying it. And so I always felt very connected to the condo, because we shot a lot of episodes in there. What does the bedroom look like? You try to kind of throw away as much as possible. There are just little touches, like the beer sign in the garage, and Michael having that hand-shaped chair. We talked about this idea that Michael buys a lot of things that he sees late at night on TV, so he has a Bowflex and he has a Soloflex.

    He has an Ab Roller. He never uses any of them, but his garage is filled with that stuff. That was written in the script. The whole candle business was just so funny to us. He is such a brilliant director, and one of the things he knows how to do is get the best out of everybody. Michael was jealous of his youth and good looks from the second he laid eyes on him.

    Everyone but Michael, that is. The lyrics for the song were written by Gene Stupnitsky and Lee Eisenberg, but for the music and voice they turned to New Pornographers guitarist Todd Fancey. He wrote it clearly about Jan and how she made him a man, and it was a terrible song. He likes the song. He has no clue.